Integrator Serves Up 87 Restaurant Speakers
 Boston’s Post 390 blanketed with SpeakerCraft speakers and Crestron automation.
Providing audio, video and automation for a bar and restaurant is rarely easy. It’s even more difficult when the restaurateur has various and specific goals in mind.
Take Post 390, for example, which is located steps from Boston’s most bustling office buildings, making it an after-work cocktail location. It’s also located a couple of blocks from Boston Back Bay’s bar scene, making it a night-on-the-town location.
But Post 390 is located a stone’s throw from Boston’s trendy South End restaurants, making it an up-scale eatery.
In other words: Post 390 needs to be a chameleon, adjusting to the needs of various guests – and its audio, video and automation need to reflect that.
“One of our early marketing slogans was ‘Find your Post,’” says Paul Dias, senior VP of operations for the Himmel Hospitality Group, which runs Post 390. “We looked at it as a place for a casual lunch, for a business lunch, a place to meet for beers, a place for a formal dinner. So every part of the restaurant had to be able to [reflect] the ‘Find your Post’ theme.”
Photos: Integrator Serves Up 87 Restaurant Speakers
Sound Approach
Dias enlisted North Easton, Mass.-based Audio Video Intelligence (AVI) to design and install Post 390’s electronics.
The restaurant is two floors, with a bar area on each floor, and the dining rooms blend into the bars. There are two areas that can be dedicated for private parties, complete with drop-down Epson projectors and Da-Lite screens, that require separate automation and audio zones.
The biggest challenge for Jim Shapiro, president of AVI, was providing seamless sound – a dilemma he describes while walking across the length of the restaurant and listening for hotspots. “In a restaurant, more speakers are generally better. If there are too few, the system has to play louder and that’s when people get upset.”
As such, AVI installed 87 SpeakerCraft speakers and subwoofers, mostly in-ceiling, in the 12,000-square-foot space.
AVI’s design called for even more speakers. “Yeah,” Dias recalls. “You [as a restaurant integration client] really have to come to terms with the number of speakers. You have to compromise. You only have as much money as you have to spend.”
Automation Made Easy
Speaking of money, Post 390 didn’t skimp when it came to automation. Post 390 staff use Crestron automation to control audio, video, motorized screens, lighting and climate. It’s always a challenge anytime various employees need to interact with a control system, so Dias wanted it to be as simple as possible.
During the design phase, Shapiro sent Dias screen captures of the customized Crestron interfaces AVI programmed for Post 390. He liked what he saw.
Dias, whose Himmel Hospitality Group runs other prominent Boston and Cambridge restaurants, has been burned before by difficult-to-use automation systems.
“Paul knew he needed reliability and it needed to be simple to control,” says Shapiro. “He had experiences with systems that aren’t as powerful and fast for switching.”
Post 390 demonstrates extreme confidence in its Crestron automation system by including in-wall touchscreens in the two private dining areas. Nothing is stopping a customer in one of those rooms to select music, turn down volume or even lower the projector and screen – although it’s obviously not encouraged.
The private rooms are only private when Post 390 designates it so. The larger of the rooms includes a large glass door that can be opened when that room is simply used for dining space and closed when privacy is needed.
The audio zones need to reflect the rooms’ usage and Post 390 staff uses Crestron audio switching via touchscreen to change on the fly.
Staff training was a snap, Shapiro recalls. He remembers being on-site for a soft opening and waiting for employees to ask questions about how to use the automation system but hardly getting any. For him, that’s a measure of success.
For Dias, he measures success by reflecting back on his initial goals. “We were trying to create a certain kind of environment here and we wanted a sound system that would help us do that. And we wanted consistency.”
Walking through the restaurant, Dias says his goals were met. Then he adds, “See? No dead spots.”
by Tom LeBlanc
http://www.commercialintegrator.com/article/integrator_serves_up_87_restaurant_speakers?utm_source=ci&utm_medium=topic
Custom Installation Services, LLC – Charlotte, NC’s Source For Restaurant and Sports Bar Audio/Video Sales, Service and Installation
Posted in Audio Systems, Automation, Flat Panel TV's, LED, lighting control, Multi Room A/V, Outdoor Speakers, Panamax, Structured Wiring
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Philips Pronto is ‘Not Dead at All,’ Distributor Says
 Sources say Pro Philips Pronto will re-emerge within 60 days, with “the same name, new owners,” and controllers announced at CEDIA will ship on time.
The buzz in Europe is that Philips Pronto is well on its way to a new life with “the same name, new owners,” sources tell CE Pro in confidence.
The news comes more than a week after Philips announced it would close its remote-control and home automation division, rather than sell the assets.
Philips had claimed that “no suitable partner was found for the acquisition of these [Pronto] activities,” even though major U.S. vendors told CE Pro that Philips never approached them about a potential acquisition.
It appears, however, that a partner has indeed been found.
CE Pro has obtained a letter, dated 2 November, from a major Philips Pronto distributor in Europe, telling dealers (translated), “As you can see, the future of Pronto is already on its way with new players. For you, for us, no worries, nothing changes.”
The distributor claims that the new Pronto Edit Pro 3 (PEP3) programming platform is still scheduled to ship this month, and that the Philips TSW9500 in-wall touchscreen will be delivered in December, as originally planned.
Furthermore, a new central controller (the Pronto CRX?) is scheduled to ship in the first quarter of 2011, according to the distributor.
Reached today via email, another European source familiar with the Pronto business tells CE Pro, “There is a deal in process” and Philips will make an official announcement within 60 days. “Dealers and end users will not see the transition to new ownership.”
The comments affirm what CE Pro learned last week from a U.S. manufacturer that had inquired about purchasing some Pronto assets from Philips. The manufacturer shared with CE Pro some correspondence that indicated Philips was pursuing other partnership opportunities.
Meanwhile, a CE Pro reader in Europe tells us, “I did contact Pronto. None of the employees have been dismissed as of today.”
So Why the Announcement of Pronto’s Closure?
Why did Philips announce in the first place that it was closing its Belgium-based Pronto business and that it could not find a buyer, even though U.S. manufacturers told us Philips never even approached them?
We have heard that Belgian and/or EU regulations prohibited Philips from selling its assets to a company that would send manufacturing overseas. We know for sure that Philips had attempted to move its manufacturing to Asia, but was unable to do so.
Our distributor source in Europe points to the “Renault law” — named after the sudden announcement of the closure of the Renault plant in Vilvoorde in 1997 — which requires that companies with more than 50 employees make a public announcement prior to business closure or impending layoffs, allowing time for employees to respond.
According to the International Labor Organization:
Further to the Renault case (related to the sudden announcement of the closure of the Renault plant in Vilvoorde in 1997), some changes to the procedure for collective dismissals were introduced by the promotion of Employment Act of 13 February 1998 clarifying the obligation of employers to consult with workers’ representatives and creating an obligation on employers to analyse and formally respond to any proposals from workers’ representatives. In addition, sanctions for non-compliance are strengthened to include the reimbursement of any subsidies paid by the federal Government to the employer to create jobs.
So Philips dealers and distributors are optimistic that the Pronto will rise again.
Meanwhile, competitors are banking on the uncertainty. For its part, URC is offering training for Philips Pronto dealers, helping them to convert them to URC’s CCP programming platform. Training begins this week.
UPDATE
Philips posted this notice to Pronto dealers today, indicating that PEP3 programming software will be released this month, and the new TSW9500 in-wall touchscreen will be distributed on a “best-effort basis.” In the U.S., call center support services will be offered at least through 2011.
Dear Pronto Dealer,
This letter is intended to clarify the consequences of Philips’ decision to close our Pronto business unit in relation to support, warranty, product and software availability.
Although Philips will stop selling Pronto products, we will continue to offer product service and support for the Pronto products. The intent of Philips is to make sure all warranty and service obligations will be honored by Philips.
For the United States, Philips will continue to offer call center support services (888-773-7384) until at least the duration of 2011, and the Pronto repair center will remain operational throughout that time.
Outside the USA, all warranty obligations will continue to be honored by the present Pronto distributors. Philips will ensure that a sufficient stock of spare parts will remain available to service product repairs.
Regarding products and software, all current Pronto products are still available for purchase by Pronto distributors throughout the month of November. Dealers are advised to order any additional products from their distributor immediately to secure their required product quantities.
The recently announced ProntoEdit Professional3 (PEP3) will be released as scheduled this month. The TSW9500 product will be distributed on a best-effort basis, depending on the received orders and availability of components and resources to manufacture the unit. It is also Philips’ intent to put forth a best effort to make firmware for all TSU and RFX devices available to be fully compatible with PEP3.
We hope to have informed you sufficiently and would like to thank you for the loyalty you have shown to the Philips Pronto products.
Sincerely,
The ProntoTeam
By Julie Jacobson
http://www.cepro.com/article/philips_pronto_is_not_dead_at_all_distributor_says/?utm_source=CEPWeekly&utm_medium=email
Custom Installation Services, LLC – We specialize in fixing the $99 TV install by our “competitors”!
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Comparing DLP, Plasma, Projection 3D Systems
 We compare pros and cons of projector, DLP, and flat-panel 3D setups.
3D comes in many shapes and flavors. You can buy a flat-panel TV with the capability, or go for the larger screen sizes of a DLP TV. The other option is a video projector.
All have their merits as you’ll read about in the following profiles. After reading them, you should have a better idea of which 3D formula will work best in your home.
Of course, no TV is worth a grain of salt without speakers and source equipment, so we’ve included a list of components used in each profiled 3D setup. This, combined with each homeowner’s impressions about 3D viewing, will help you put together your own 3D entertainment system.
 The Entire System: URC MX-980 remote; Peachtree Nova preamplifier/DAC; Samsung 58-inch PN58C7000 kit (Blu-ray player, two pairs of glasses and Monsters vs. Aliens); Totem Acoustic Forest freestanding speakers; Integra Research RDA-7.1 amplifier Plasma: Space-Saving 3D
For three years Gabe Montemurro and his wife, Elizabeth, had been using a Sony SXRD rear-projection TV – quite happily. But the thought of being able to view content in 3D was too compelling for these early adopters to ignore. Plus, since the Montemurros’ baby was now walking, they thought it would be best to buy a slimmer flat-panel display that could be pushed inside their entertainment cabinet and beyond the toddler’s reach.
Gabe had a few other prerequisites for a new display besides being flat: it had to be on the higher end of the performance scale, it had to be plasma and it had to be somewhat affordable. Samsung‘s high-def PN58C7000 TV fit the bill, coming in at under $3,000. As a bonus, the 58-incher came packaged with a 3D Blu-ray player, two pairs of 3D glasses and a 3D Blu-ray disc of Monsters vs. Aliens.
After a few viewings of the movie, the Montemurros were hooked. “3D is much more immersive than 2D,” says Gabe. “You find yourself leaning forward, sitting on the edge of your seat.” Unfortunately, there are only so many times you can watch the same movie. “Monsters vs. Aliens is the only true 3D source we own, and when we purchased the system in March there simply wasn’t much content available,” Gabe laments.
Even with the lack of 3D programming, the family still gets to experience bits and pieces of 3D just by pressing the 3D button on the TV remote control. The PN58C7000 features proprietary 2D-to-3D conversion technology, which when activated renders 2D images to near 3D quality. “If it wasn’t for the conversion technology, 3D for us would be extremely disappointing,” says Gabe.
The best way to describe the conversion, says Gabe, is faux 3D. “It’s really hit or miss. Some things you watch, you say, ‘Wow, that really added some depth.’ Other things fall completely flat.” The Montemurros have experimented with all sorts of programming and content: movies, sports, digital pictures and PlayStation 3 video games. “I watched a recording of the Super Bowl, and there were some camera angles where the action appeared 3D. The same with hockey. The 3D conversion added nothing to an animated show like The Simpsons, but gave the sense of actually riding in a car during a NASCAR PS3 game.”
They were most impressed, however, with how their collection of digital pictures looked when displayed in 3D. “Suddenly, there was so much depth and dimensionality, so much so that I went through my favorites and created a special 3D playlist,” Gabe says.
So what about the kooky glasses that came with their 3D package? “I’d rather not have to wear them,” says Gabe, “but hey, it’s worth it to experience a new technology like this.”
 The Entire System: Mitsubishi 3D starter pack; Definitive Technology speakers; Control4 TSM10GB touchpanel; Integra DTR 7.9 receiver; Sony BDP-S570 Blu-ray player; Mitsubishi 73-inch WD-73837 DLP: 3D Trade-up
As a longtime fan of Mitsubishi products, Mark Capriola is benefiting from the manufacturer’s commitment to the new viewing technology. The audio and video enthusiast recently traded in his 65-inch WD-65833 Diamond DLP TV for a 73-inch WD-73837 Diamond DLP unit. In the process, he got a full 3D upgrade, “something he loved the idea of,” says custom electronics professional Dirk Dutton of Primetime Audio Video in Rockford, Ill.
The fact that the new screen was much larger than the biggest 3D flat panel available, yet cost significantly less, was one more plus. Primetime sold the set to Mark for $2,400 (plus $399 for a starter kit, which includes two sets of glasses and an HDMI adapter); a 63-inch 3D Samsung flat panel, which Primetime also sells, would have cost closer to $3,000, says Dutton.
“You can’t really beat a DLP in terms of price and screen size.”
Although his loyalty to Mitsubishi had a lot to do with his choice, Capriola says he was willing to give flat-panel options a fair shake. “I visited the Primetime showroom before I bought anything to compare five or six different displays. The DLP TV had the horsepower I was looking for.”
Aside from making room for the larger set, there was little Primetime had to do to Capriola’s living room to make it suitable for the new display and its 3D presentation capabilities. Even the audio was good to go, thanks to their existing 5.1 surround-sound setup of an Integra receiver and Definitive Technology speakers.
“All we really had to do was program it into the home’s existing Control4 home automation system,” says Dutton. This tie-in allows the DLP to display menus for operating the home’s audio/video equipment, lights and other systems. Primetime also created a special 3D button that switches the DLP from 2D mode to 3D. Capriola navigates to the command by using his iPad or a handheld remote.
That same command kick-starts a Sony Blu-ray player, another recent addition to the entertainment system. Previously, Capriola was using a PS3 to play Blu-ray movies – a good choice, “but the Sony player is able to load movies a lot faster, and we didn’t really want to wait for the PS3 3D update,” says Dutton.
The combination of the 3D button and the Sony Blu-ray player makes the transition between 2D and 3D seamless, and eventually so will the sources in Capriola’s well-stocked equipment rack in the basement. Wired to the TV through a Control4 video distribution processor are a Vudu BX100 set-top box, Dish Network VIP922 satellite receiver and Sony BDP-CX7000ES Blu-ray player, among other components. Some of these content providers have already started to offer 3D programming – with much more to come – so Capriola’s assortment of 3D choices is bound to keep growing.
 The Entire System: Crestron TPMC-8X; Monitor Audio Platinum 300 speakers and GSW-12 subwoofer; Digital Projection 3D Titan; Stewart Filmscreen Luxus ElectriScreen StudioTek; Marantz AV8003 receiver; Mechdyne Dimension server Projection: Private 3D Demo
The owner of this high-end theater had only a standard video projector installed when 3D started to get hot. Unsure of whether he should trade in his recently purchased projector for a 3D model, he agreed to let the company that designed his theater demonstrate a unit in his home first. “We told him we’d give him a deal on the installation of the new projector if he’d host an open house for builders and clients in the area,” says Shawn Hansson of Logic Integration in Denver.
The Logic Integration installers temporarily staged the Digital Projection International (DPI) 3D Titan projector on a table, leaving the existing DPI 1080p Titan projector mounted to the ceiling. Also left for the demo was the 130-inch Stewart Filmscreen – a perfect size for 3D viewing, according to the homeowner.
As part of its $130,000 3D package, DPI includes a Dimension server from Mechdyne with the Titan projector. The server comes preloaded with a variety of 3D material, and it left a lasting impression on the homeowner.
“We watched everything from cartoons and advertisements to video games and movies, and it all was so much more immersive than the 2D content I typically watch. The difference is almost comparable to black-and-white television to color.”
What made the biggest impact, says the homeowner, were the active shutter glasses that came with the system. “I’ve used polarized glasses before, and it just doesn’t compare to the 3D quality you get from active shutter glasses. You’re able to see the full 1080p image.”
The gathering was a huge hit, especially for the homeowner, who was able to experience 3D from a $130,000 projector in the comfort of his own home. Was it enough to convince him to upgrade? “Not yet,” he says. “The cost is still too high and there’s not enough content available.” But when things change, “I’ll be seriously looking at a new projector.”
by Lisa Montgomery
http://www.explore3dtv.com/article/14956/Comparing-DLP-Plasma-Projection-3D-Systems/?textpage=1
Custom Installation Services, LLC – We specialize in fixing the $99 TV install by our “competitors”!
Posted in 3d movies, 3D TV, APC, Audio Systems, Automation, Blu-ray, Flat Panel TV's, Home Theater, i-Pad, LED, Media Rooms, Multi Room A/V, Music and Movies, News, technology, Theater Seating
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